queer cinema has always been an academic passion for me. in
addition to presenting a paper i wrote on cinematic legend john waters, i
had the honor of being invited to contribute an essay to coming out to the mainstream: new queer cinema in the 21st century,
which, among other things, examines both the advantages and drawbacks
of marketing and presenting queer cinema to a mainstream
audience. one of the larger problems with mainstreamed queer cinema
is that the hollywood process generally leaves narratives diluted and
watered down, or lost in a sea of ang-lee-budget production values.
the power of queer cinema and new queer cinema until the
mid-nineties had existed in its raw grittiness, its ability to make
people feel something they had never felt before watching film, because
these were stories previously untold on the big screen.
independent queer cinema, glorious as it may be, is not without its
problems either, mostly cash-related, which is why i was delighted when hollis brought to my attention this article from out magazine that looks at the role kickstarter is playing in the future of independent queer cinema. for those of you not familiar with kickstarter,
it is “the world’s largest funding platform for creative projects.”
kickstarter supports any sort of creative endeavor, from food to
dance to fashion, however, ”with $40 million spent on 4,700
successful projects, the film sector of kickstarter has garnered the
largest percentage of the over $125 million raised since its inception
in 2009.”
in fall of 2011, michael stabile’s documentary seed money, which
presents the story of late falcon studios founder and political
philanthropist chuck holmes, had run out of steam after 4 unfunded
years of crafting together interviews of porn stars, politicians, and
celebrities, such as one of my personal heroes, john waters. by
the end of december and six weeks after launching his fundraising
campaign on kickstarter, stabile had $28,430 and a new private investor
to help him take on the post-production costs that were previously
insurmountable for him. after watching the trailer, i am
absolutely psyched for this documentary to be released. not only
are porn and censorship topics near and dear to my heart, but chuck
holmes is a fascinating figure. and in an age where rick santorum, a man
who, among other things, wants to ban all pornography (but especially
gay porn), was a frontrunner for presidential candidacy, i feel
like it couldn’t be coming out at a better time.
having capital to get films made is one problem, but there is also the
separate issue of getting films distributed to the audience. for
filmmakers, kickstarter has been a solution for this as well. pariah, dee
rees’ semi-autobiographical story of a young black lesbian grappling
with identity and struggling to come out in brooklyn, was turned into a
feature film after it screened at 40 film festivals as a short film and
won over 25 “best short” awards. rees was ecstatic about being
accepted into 2011 sundance film festival in competition, but did not
have the means to get all the way there. using kickstarter, rees was
able to raise the $10,000 she needed to cover the post-production costs
and amount it would take to get her crew to the festival. getting
indie queer films like pariah to the festival circuit is
crucial, as that level of exposure is usually what helps films get into
independent theaters and the hearts and minds of audiences across the
world.
if you are a fan of independent queer cinema, i urge you to check out
kickstarter to see if you could be the patron of your next favorite
film.






